First Eagle Global Fund Jag Panzer. Casting the stones

Jag Panzer

are those groups who keep alive the habit of taking record almost every year since 1997, and this "Casting the Stones" is his tenth album download, counting their first two eighties. Jag Panzer American Power practice that so little has to do with the European style. Much more consistent and aggressive, both the melodies and guitars and the voices are much tougher and powerful. In line with bands like Iced Earth, the Colorado group has brought forward a work that will appeal especially to lovers of raw sounds, but not nearer the Thrash and other brutal aspects.

In any case after I have not listen enough to trap the point to this album, which otherwisepart carries a great reviews from his native country. Conkling Harry's voice makes many compositions remind me of Primal Fear and the melodies just are not hooked at all. It is an interesting album to see the developments taking place in the American Heavy Metal but I think the album promises much more than it offers

The album begins with "Feast of Famine" and from that issue and something seems not to march quite right. A weighty issue, but with hard bases that get to do boring. It may seem that a weak mark the first theme album, but with "The Mission (1943)" suddenly we seem to approach a topic of Maiden, heard too little novel ...

"Vigilant" with its insistent rhythm and parts vocales bit sound tends to become too heavy and "Achilles" but tries to stay more in the canons of traditional power quality improvement in various whole issue is also quite mediocre for a group of this path.

"Tempest" does not offer anything new, and again be an issue too muddled and perhaps save the intermediate moments and one that is top of the album, "Legion Immortal" could be a big issue but neither is spared general burning. "Battered & Bruised", "Cold", "Starlight's Fury" continue on the same line. Subjects with low gloss, very similar to each other, which are not renowned for having a riff that mark or an exceptional voice and make weary listening.

"The hearkening" and

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ue placed Edu Falashi and pieces like Rebirth at the center of well-crafted power. It is a sterile debate, since the two voices are very different, although personally I prefer Falashi vocal tones that work well in the latter sound more aggressive, harder, and enhance for the duration of the entire album quality same.
The album opens with a clarion call whiplash "Sprend your fire" with a drum beat aggressive and fast as he did not hear while in Angra. The double bass takes center stage throughout the piece while Loureiro and Bittencourt guitar rhythms make these power metallers agile, swift and cheerful. A theme that will appeal to the most power and more attached to Rebirth. CHTM
ue as the previous issues. The epic is passed to the melancholy. Sound hard to soft. Of the choir heavies to coral brings to mind Queen. A great theme, but very complex.

"No pain for the dead" pursues the complexity of the application issues, with a gentle guitar intro leads Falaschi paint a melancholic in a roaring start as the beats are happening. The keyboard work simply outstanding.

In "Winds of destination" we find ourselves a guest, Hansi's voice Blid Guardian and peculiar. It is a strange subject, with many changes as we could find in the latest compositions of "Guardians." Epic but away from traditional norms. Difficult but

Can A Hernia Be Removed From My Dog Europe. Start from the Dark

Europe

never liked. Go ahead that assessment. Those who seem to be feeling this year for his meeting (with the permission of Judas Priest) always seemed a group mediocre and uninteresting. But those were different times or I was younger, viz. The fact is that his "masterpiece" "The final countdown" and the band's musical style seemed very far from what could be considered closer to my desires. Years later I find that many of those that started listening to Heavy Metal with the Swedish group are excited about his return. The first opportunity to see if my old ghosts were behind him was last summer in Lorca, but in the end I could not go. Despite all the criticism talked"Got to Have Faith" and it's a song that things have changed. The riff is so insistent repiete leads me to believe in the way of playing and tuning of Tommy Iomi. Tempest's voice seems so dieferentes ... An entry that gets better as you listen again and again.

"Start from the Dark" is a difficult issue. Very difficult. With a chorus perhaps broken by pauses, perhaps without force, but also surrounded by a guitar so seventies appears on these discs recorded by Sabbath with Ozzy's voice and remain hidden among his most popular albums. A strange subject, but which should be given more than one occasion.

"Flames" begins by reminding grunge groups, Nu-metallers and continues in that line of darkness. But tieduty comes? to the Nirvana back darker and dense guitar, thick. With rate cuts and stops, slow but insistent phrases. For fans of more melodic Europe perhaps a nightmare. For me, interesting.

"Run With You" opens a new type of "ballad" as Europe, with chorus by the standards but much much thicker.

"Sucker" is like a hard rock classic theme will change the equalization Or that's what I feel when I hear the guitar so dark, perhaps too dominant and battery slowing the pace somewhat. Another difficult issue but to explore further.

"Spirit of the underdog" lets finally see that the band has a keyboardist as more than filler, but tn just a few seconds because the guitar work hide again as fast as in previous issues the keyboard. The phrasing is dry, again with a change of pace, complex.

"America" is one of those heavy bullets that mark all the work. An insistent guitar, a drum slowly, and a voice with little fanfare.

The album closes with "Settle for Love." The Ballad semiacoustic perishing want to remember those who are playing are a group called Europe and the girls went crazy. But neither is a ballad eighties to use. Carrie and this issue are diametrically opposed. "Maturity? "Complexity of the application? In any case the subject is a beautiful piece that can be the climax to that hard disk.

"Start from the Dark" isto keep the controversy from the moment of departure. If last year was Metallica with their "St. Anger" who opened the Pandora's box now the Swedes may suffer the same fate. Since then we are not those pretty boys with easy melodies engaging in adolescents. But it will allow its followers? Will you be able to win over new fans? As soon embark on a tour that will bring them back to Spain and will be a good time to see if they themselves give credibility to this album touching live or prefer to go to a less committed repertoire.

General appreciation: Difficult but interesting

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Curos, folds and, why not say, labels that go beyond saying that we are in Music, with capital letters. Nearly 50 minutes in which they reeled off 11 major issues that can delight any lover of sounds hard, played with quality and good taste. We could say it is Hard Rock, but maybe we had just not doing justice and certain potential buyers to cast them back by prejudice. Let's just not going to let anybody down.
The album begins with "Believe in Me" which is already showing early on that we will face a quality disc overflowing, both the melodies and in the chorus. "Soul Divine" harden in a sense the tempo while the beautiful and accurate voice Jeff is the perfect counterpoint, not a singleea could place "Doin 'Time" in which the highlights of the Hard Rock highest quality surround us with these choirs care to detail.

When "High time" starts and the melody progresses, and the feet move one comes to wonder. Is it possible that the whole album is so good? Yes, is that an issue as festive as it leads to marvel at how we may have lost people.

"Begining 2 end" begins with a piano introduction, and although the tempo is increasing gradually, is another of those issues baladísticos serving as a turning point in the disk. Maybe at some point find negative might say that sounds like a "typical" but what if it's good?

"On My Own"

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ng. One topic that engages in the first.
"Judas My Brother" is another of the great moments of the album. Starting with a Cadence environment and gradually increasing, including a very powerful riff and mingling with the melodic ... Great item, no doubt.

"On a Night Like This" to return to the territories of Hard Rock classic that bit of novelty in the voice of Janne Hurme that seems to cover everything.

"Till the day i die" leave no one indifferent. AOR capitalized. Quality, melody, rhythm, cleaning. Another single recognizable, that leads to the final epilogue to "Forever", the final beautiful ballad that closes the disc, and that softness is taken to a majestic time in the final.
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you forget and enjoy feeling transported, especially in a tribute to the hymn of joy for the final. Huge.
The first few seconds of "Merry Minstrel" and the guitar solo starts it presage a great song that does not disappoint as the song progresses. Again this undefined mixture of high quality sounds to me back groups of the late eighties, but with a much more current, and I enjoy leaving me by well-chosen melodies. The guitar riff, very powerful. The work on the keys, excellent.

"Spread your wings" is a beautiful piano ballad accompanied by a soft and delicious dubbed voices. The chorus, and the whole group returns to remember great momentsIt seems that the heart rules rather than hardness. As with "Shamandalie" Sonata Arctica, themes and make me come to terms with "The Ballad of turn." Another issue to be included in future compilations of tracks alone.

"Iron Hand" leaves the softness and bring back the speed. The voice did not leave despite the softness that makes the entire disk, or when it rises up to sing a estribilo that abysmal record back to Rainbow.

The album ends with "Heart Attack" and "Worlds Apart." The first to offer a more expensive Melodic Power and classic, but as I say, nice to hear from the new shades offered throughout it. Good guitar solo in the middle with a surprisea melody ... Discover them!

"Worlds Apart" is the final theme, closing and title track. Again, as throughout the nearly hour-long class quality and appears throughout. Again the chorus may remind other groups Melodic Power (for each may sound to some) but what is clear is that it is a perfect climax for this good work. Memories

Sonata, Stratovarius, Rainbow and many other groups will appear in listening to the "Worlds Apart." I must admit that I had to hear it several times to learn to value it, and even the first time I thought, ufff, more of the same. But with three or four listen to the record is much more intense and original, to the point of having me andnganchado with his melodies, and especially the wonderful "No Ones Lives Forever."

General appreciation: Great Work