never liked. Go ahead that assessment. Those who seem to be feeling this year for his meeting (with the permission of Judas Priest) always seemed a group mediocre and uninteresting. But those were different times or I was younger, viz. The fact is that his "masterpiece" "The final countdown" and the band's musical style seemed very far from what could be considered closer to my desires. Years later I find that many of those that started listening to Heavy Metal with the Swedish group are excited about his return. The first opportunity to see if my old ghosts were behind him was last summer in Lorca, but in the end I could not go. Despite all the criticism talked"Got to Have Faith" and it's a song that things have changed. The riff is so insistent repiete leads me to believe in the way of playing and tuning of Tommy Iomi. Tempest's voice seems so dieferentes ... An entry that gets better as you listen again and again.
"Start from the Dark" is a difficult issue. Very difficult. With a chorus perhaps broken by pauses, perhaps without force, but also surrounded by a guitar so seventies appears on these discs recorded by Sabbath with Ozzy's voice and remain hidden among his most popular albums. A strange subject, but which should be given more than one occasion.
"Flames" begins by reminding grunge groups, Nu-metallers and continues in that line of darkness. But tieduty comes? to the Nirvana back darker and dense guitar, thick. With rate cuts and stops, slow but insistent phrases. For fans of more melodic Europe perhaps a nightmare. For me, interesting.
"Run With You" opens a new type of "ballad" as Europe, with chorus by the standards but much much thicker.
"Sucker" is like a hard rock classic theme will change the equalization Or that's what I feel when I hear the guitar so dark, perhaps too dominant and battery slowing the pace somewhat. Another difficult issue but to explore further.
"Spirit of the underdog" lets finally see that the band has a keyboardist as more than filler, but tn just a few seconds because the guitar work hide again as fast as in previous issues the keyboard. The phrasing is dry, again with a change of pace, complex.
"America" is one of those heavy bullets that mark all the work. An insistent guitar, a drum slowly, and a voice with little fanfare.
The album closes with "Settle for Love." The Ballad semiacoustic perishing want to remember those who are playing are a group called Europe and the girls went crazy. But neither is a ballad eighties to use. Carrie and this issue are diametrically opposed. "Maturity? "Complexity of the application? In any case the subject is a beautiful piece that can be the climax to that hard disk.
"Start from the Dark" isto keep the controversy from the moment of departure. If last year was Metallica with their "St. Anger" who opened the Pandora's box now the Swedes may suffer the same fate. Since then we are not those pretty boys with easy melodies engaging in adolescents. But it will allow its followers? Will you be able to win over new fans? As soon embark on a tour that will bring them back to Spain and will be a good time to see if they themselves give credibility to this album touching live or prefer to go to a less committed repertoire.
General appreciation: Difficult but interesting
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